| PhD |
| Since 2021 |
Yan Pietrzak: Consequential Aesthetics in Modern Electronic Pop Music. A Practice-Led Study of the Physical, Metaphysical and Sociological Links between the Perceived Creative Environment and Sonic Aesthetic in Modern Electronic Pop Music, University of Huddersfield |
| Since 2021 |
Alexander Vallejo: Genre in Progressive Rock Guitar, University of Huddersfield |
| Since 2021 |
Yan Yang: Metal Music Production: Analogue and Digital Domain, University of Huddersfield |
| Since 2020 |
Eiriana Lagkouvardou: Approaches and Innovative Practices for Songwriting and Performing within a Popular Music Ensemble or Creative Project, University of Huddersfield |
| Since 2020 |
Mark Goodliff: Digital Sampling in the Post-Sampling Era. A Practice-Led Reappraisal of Attitudes and Techniques within Creative Music Production, University of Huddersfield |
| Since 2020 |
Seyed MohammedReza Beladi: Neyanban. Its Role in the Music of Bushehr, University of Huddersfield |
| Since 2020 |
Reece Cronin: Cross Culture Composition, University of Huddersfield |
| Since 2019 |
Samuel Murray: Layers of Virtuosity in Rock and Heavy Metal Guitar Performance, Falmouth University |
| Since 2015 |
Grace Healey: Gender in Alternative Rock, University of Huddersfield |
| 2014–2020 |
Paul Wolinski: Decomposition Theory: A Practice-Based Study of Popular Music Composition Strategies, University of Huddersfield ⇒ download |
MA |
| 2019-2021 |
Joel Felix: Diss Track, Deconstructing YouTube’s Emergent Diss Culture and Its Economic and Cultural Impact on Independent Music within the Platform, University of Huddersfield ⇒ download |
2018-2021 |
James Boddington Jordan: Harmonic Structures in 21st Century Metal, University of Huddersfield ⇒ download |
2019-2021 |
Reuben Swallow: Defining Consonance and Dissonance in Metal Music, University of Huddersfield ⇒ download |
2019-2021 |
Yan Pietrzak: Music Collaboration in an Online Environment. Technologies, Roles and Creativity, University of Huddersfield ⇒ download |
2019-2021 |
Alexander Vallejo: Development, Mechanics and Compositional Uses of Virtuosic Electric Guitar Techniques, University of Huddersfield ⇒ download |
2019-2021 |
Cohen Hale: How Cocaine Influenced British Rock and Metal Culture from 1964-1980, University of Huddersfield ⇒ download |
2018-2020 |
Calum Bowling: Recording Skint. How Recording with Limitations and a Low Budget Can Influence the Recording Process Between Producer and Artist, University of Huddersfield ⇒ download |
2017-2020 |
Joseph Sage: The Changing Landscape of Modern Music Production. A Study into the Role of the Mix Engineer in a Changing Industry, University of Huddersfield ⇒ download |
2017-2019 |
Martin Quinn: The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and their Use of Technology, University of Huddersfield ⇒ download |
2017-2019 |
Joshua Robins: Barrier Determination Framework for Video Game Analysis Regarding Users with Visual Impairments, University of Huddersfield ⇒ download |
2018 |
Federica Kramer: Filmmusik-Didaktik für den Musikunterricht an der Grundschule. Ansätze für die Heranführung an klassische Musiks, University of Bielefeld |
2017 |
Silvia Reichert: “Wie klingt ein Gedicht?” Zur Gestaltung eines Gruppenprozesses im Musikunterricht der Grundschule, University of Bielefeld |
2017 |
Erwin Voth: Entwurf einer Kompetenzmodellierung zur Erarbeitung von Klanggedichten, University of Bielefeld |
2017 |
Angelika Götz: Keine Lust auf Klassik!? Eine empirische Untersuchung der Wertzuschreibung von Grundschulkindern eines 4. Jahrgangs zu klassischer Musik, University of Bielefeld |
2017 |
Tim Albrecht: Die Arbeitsrealität professioneller Sessionmusiker in der populären Musik, University of Paderborn; resulting publications: IASPM Journal and Finnish Journal of Ethnomusicology |
