Academic Service and Leadership

This page details my contributions to the academic community through editorial roles, peer review activities, leadership positions in scholarly societies, and service to research funding bodies. These activities reflect my commitment to advancing knowledge and supporting the development of researchers in popular music studies, metal music research, and creative industries.

20+
Journal and Book Editorial Roles
30+
PhD and MA Examinations
7
Conference Organization Roles
£6M+
Research Funding Secured

Editorial Roles

Journal Editorial Board Memberships

  • 2022 – 2025: Editorial board member of the Yearbook of Music Psychology
  • 2020 – present: Editorial Board member for the German Society for Popular Music (GfPM)
  • 2019 – present: Editorial Board member of IASPM Journal
  • 2017 – present: Editorial Advisory Board member of Metal Music Studies

Special Issue Editor

  • 2023: "Exploring Audio and Music Technology in Education", Journal of Music, Technology and Education
  • 2021: "Metal Music Studies at the Intersection of Theory and Practice", Metal Music Studies
  • 2021: "Crises at Work: Potentials for Change?", IASPM Journal
  • 2017: "Music and Arts", Musik & Unterricht

Peer Review Activities

I serve as a peer reviewer for numerous prestigious journals and publishers in my field.

Journal Reviewing

I regularly review for the following journals:

  • Q1 Journals: Music Perception, Journal of the Acoustical Society of America, Psychology of Music, Creative Industries Journal, Popular Music & Society, Metal Music Studies, Journal of Music, Technology and Education
  • Q2 Journals: Rock Music Studies, IASPM Journal, Journal of the Society for American Music
  • Other Journals: Journal of Music Production Research, Philosophia, Journal of Popular Music Education, INSAM Journal of Contemporary Music, Art and Technology, Journal on the Art of Record Production, Yearbook of Music Psychology, Textpraxis (special issue)

Book Series Reviewing

I serve as a reviewer for the following book series:

  • Bloomberg's book series 'Music and Sound Studies'
  • Cambridge Elements in Popular Music (Cambridge University Press)
  • Routledge's book series 'Perspectives on Music Production'
  • Ashgate Popular & Folk Music series

Research Funding Bodies

Through these roles, I help ensure the quality of research funded by major national and international funding bodies, contributing to the advancement of knowledge in my fields of expertise.

Professional Memberships

Current Memberships

  • 2024 – present: Member of the Chartered Manager Institute (CMI). Registration number: P05031230
  • 2021 – present: International Association for the Study of Progressive Rock Music (Progect Network)
  • 2018 – present: Member of Mental Health First Aid England (MHFA)
  • 2016 – present: International Society for Metal Music Studies (ISMMS)
  • 2016 – present: Higher Education Academy (HEA). Registration number: PR103686
  • 2014 – present: Association for the Study of the Art of Record Production (ASARP)
  • 2013 – present: International Association for the Study of Popular Music (IASPM international, UK & Germany)
  • 2011 – present: German Society for Popular Music Studies (GfPM)

Past Memberships

  • 2011 – 2020: German Society for Music Psychology (DGM)

Leadership in Scholarly Societies

Conference and Event Organization

Conference Organization

  • 2025: Co-organizer of the conference "Heavy Childhoods", University of Huddersfield
  • 2024: Co-organizer of the symposium "Women and the Electric Guitar", University of Huddersfield
  • 2022: Industry-focused music production symposium "Creative Sampling – Sound Design – Artificial Intelligence in Mixing", University of Huddersfield
  • 2021: "Afro-Futurism. Arena Rap. The Self-Producer. A Popular Music Studies Research Day", University of Huddersfield
  • 2019: Core member of the Programme Committee for the "Eleventh Biennial International Conference on Music Since 1900", University of Huddersfield
  • 2018: Core member of the Programme Committee for "Crosstown Traffic. Popular Music Theory and Practice", University of Huddersfield
  • 2016: Organiser of an advanced training workshop for music professionals accredited by the government, University of Bielefeld
  • 2016: Organiser of the summer school "Music Education" at Bielefeld University

Additional Educational Projects

  • 2013: Recipient of grants from the federal state NRW for an educational music project on the history of popular music
  • 2012-2014: Coaching of amateur bands at Vocational Colleges
  • 2012-2013: Organization of music festivals with seminar bands of Paderborn University

Institutional Leadership

At the University of Huddersfield, I have held several significant leadership positions:

PhD and MA Examination

I have served as an examiner for numerous doctoral and master's theses across multiple institutions:

PhD Examination

External examiner for 9 PhD theses at:

  • Australian National University
  • City University of London
  • University of West London
  • University of Kent
  • University of Salford
  • Leeds Beckett University

Internal examiner for 2 PhD theses at the University of Huddersfield

MA Examination

External examiner for 23 MA theses at:

  • University of Huddersfield (16)
  • Bielefeld University (4)
  • Paderborn University (1)
  • Leipzig University (1)
  • Leuphana University of Lueneburg (1)

Chair for PhD vivas

Independent Chair in the following Universities/Schools:

  • University of Huddersfield: School of Computing and Engineering (1)